John keats when i have fears that i may cease to be essay writer
May 31, 2018
My theory on life is that life is beautiful. Life doesn't change. You have a day, and a night, and a month, and a year. We people change - we can be miserable or we can be happy. It's what you make of your life. Mohammed bin Rashid Al Maktoum Without deep reflection one knows from daily life that one exists for other people. Albert Einstein New technology is not good or evil in and of itself. It's all about how people choose to use it. David Wong
- When I Have Fears That I May Cease to Be. Keats, J. // Book of Georgian Verse;1909, p1054
The poem "When I Have Fears That I May Cease to Be," by J. Keats is presented. First Line: WHEN I have fears that I may cease to be; Last Line: Till Love and Fame to nothingness do sink.
- When I have Fears that I may cease to be. KEATS, JOHN // Oxford Book of English Verse: 1250-1900;1922, p743
The poem "When I Have Fears That I May Cease to Be" by John Keats is presented. First Line: When I have fears that I may cease to be; Last Line: Till Love and Fame to nothingness do sink.
- How Keats Falls. MULROONEY, JONATHAN // Studies in Romanticism;Summer2011, Vol. 50 Issue 2, p251
A literary criticism of the poem "Hyperion" and its reworked version "The Fall of Hyperion," by the Romantic poet John Keats, is presented. The author discusses politics in Keats's poetry and explores themes of death, human identity, and the historical experience in the poems. Other topics...
- Contested Bounds: John Clare, John Keats, and the Sonnet. LODGE, SARA // Studies in Romanticism;Winter2012, Vol. 51 Issue 4, p533
In an essay, the author discusses the sonnets of the 19th-century English poet John Clare in the context of contemporary debates regarding the proper form and style of the genre. The essay traces Clare's achievements as a writer of sonnets, paying particular focus to the subtlety of the practice...
- Keats and the Charm of Words: Making Sense of The Eve of St. Agnes. BETZ, LAURA WELLS // Studies in Romanticism;Fall2008, Vol. 47 Issue 3, p299
The article analyzes the function of "charm" in the work of English Romantic poet John Keats, in particular in "The Eve of St. Agnes," which the author singles out both because its verse is charming, and because the content discusses the notion of charm or enchantment. The work is discussed in...
- The Urn's "Silent Form": Keats's Critique of Poetic Judgment. Kyoung-Min Han // Papers on Language & Literature;Summer2012, Vol. 48 Issue 3, p245
The article offers criticism on the poem "Ode on a Grecian Urn" by English poet John Keats. The author discusses the equation of beauty and truth in the poem as well as the conflict between sensation and philosophy in the poem. The author explores Keats' philosophical education, focusing on...
- The Time of Beauty. JACKSON, NOEL // Studies in Romanticism;Summer2011, Vol. 50 Issue 2, p311
The article presents criticism of the poem "Endymion," by the Romantic poet John Keats. The author discusses political aspects of Keats's poetry and explores themes of beauty and aesthetic politics in Keats's poetry. The author uses passages from "Endymion" relating to aesthetics and beauty and...
- Keats's Voice. OSTAS, MAGDALENA // Studies in Romanticism;Summer2011, Vol. 50 Issue 2, p335
A literary criticism of the poem "The Eve of St. Agnes," by the Romantic poet John Keats, is presented. The author discusses the concept of poetic "voice" in Keats's poetry and explores themes of medieval romance in the poem. Other topics include the act of narration in the poem, the opening...
- Keats for Beginners. MCGRATH, BRIAN // Studies in Romanticism;Summer2011, Vol. 50 Issue 2, p351
The article presents criticism of the poems "Endymion" and "Sleep and Poetry" by the Romantic poet John Keats. The author discusses the event of beginning in Keats's poetry in relation to politics. Topics addressed include Romantic poets' lack of interest in politics, the idea of beginning...
After summarizing the content and main formal elements and influences of John Keats's sonnet "When I Have Fears That I May Cease to Be," this paper offers a brief survey of the social-philosophical context that inspired it. Though these concerns are not dominant in the poem, there are some hints that may refer the reader to scientific and religious issues alluded to in Keats' letters written at about the same time. The final section analyzes the immediate biographical context in which the sonnet was composed; if any poet warrants a closer inspection of biographical questions in the analysis of their work, Keats is certainly a case in point. Therefore, in the last section of the paper, his perception of illness and impending death is discussed in detail and related to the genesis of "When I Have Fears." Possible discussion and essay topics are suggested at the end of this paper.
About “When I have fears that I may cease to be”
“When I have fears that I may cease to be” is often considered to be one of Keats’s superlative sonnets. In it, he addresses his fear of death before his time and slightly echoes Milton’s “Sonnet 19: When I Consider How My Light is Spent” while taking on its own distinct form.
One key difference is Keats’s sonnet is in the Shakespearean form while Milton’s sonnet is in the Italian style.
Note: the proper title is capitalized “When I have fears that I may cease to be” because Keats did not actually give the poem a title, thus the convention is to quote the first line as a reference; an actual title would be capitalized “When I Have Fears That I May Cease To Be.”
When I have fears that I may cease to be
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“When I have fears that I may cease to be” is an Elizabethan sonnet written by John Keats. The poem, written in the first person, charts the desires and despairs of the speaker. The speaker, realising his imminent death, regrets his inability to achieve fame and his incapability of living life to the fullest. The poem expresses Keats’s melancholic nature, his fears and is reflective of the turmoil in his life at that time.
The first quatrain is an expression of the speaker’s regretfulness. Although he has a “teeming brain” abound with vivid imagery and vibrant ideas, he fears he will “cease to be” or die before he can recount them. The speaker believes his imagination could fill “high-piled books, in character” or a large number of books. Keats’s diction translates the imagery of harvest; this is achieved through the usage of words associated with farming, “garners”, “grains”, “gleaned”. The harvest imagery acts as a metaphor, the speaker’s imagination is the field of grain and the speaker is the harvester. Essentially, the speaker fears he will be the unsuccessful famer who failed to “glean” his land.
In the second quatrain, lines (5-8), the theme of regretfulness is continued. Through usage of imagery and personification, Keats translates a lifelike picture of the speaker awed by the night’s “starred face”. The speaker draws inspiration from nature to craft his poetry; it is his “magic hand” that “traces” the “shadows” of the clouds. Through his poetic ability, the speaker believes he emphasizes the beauty of nature and gives it meaning.
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In the third quatrain, the speaker addresses love (described as “fair creature of the hour”). In order to emphasize the brevity of beauty, the fair creature is referred to as “creature the hour” hinting to the idea that the creature achieves its beauty for a brief period of one hour. The speaker fears he will not “relish in the faery power of unreflecting love”, he will never experience true love. Although his desire for success is strong, his desire for love is more intense and immediate. Ultimately, it is him “ceasing to be” which will prevent him from gazing “upon thee more” or experiencing true love.
In the final lines of the poem, the speaker stands ” on the shore of the wide world…alone”, it is while standing on the threshold of the world that he is struck by an epiphany: “to love and fame nothingness do sink”. The shore, which the speaker stands on, acts as a metaphor: the tiny grains of sand represent the speaker and the beach the entire world. The comparison of the grain of sand to the beach allows the speaker to realize his insignificance in the whole wide world. The speaker concludes that his quest for fame and fortune are irrelevant in the grand scheme of the life.